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Editor's Note: This article was updated on 10/21/25 with minor additional details about the ongoing investigation.
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Editor's Note: This article was updated on 10/21/25 with minor additional details about the ongoing investigation.
Crossword 10/09/2025: Solutions!
Crossword 10/09/2025!
In May and June, two Middlebury professors and seven graduating seniors or recent alumni were selected for U.S. Fulbright Program awards. The U.S. Fulbright Program is an international academic exchange program that awards U.S. citizens with grants to teach, conduct research or carry out professional projects abroad.
The Middlebury field hockey team was eager to defeat the Bowdoin Polar Bears after their unexpected loss to the 23rd ranked Endicott College team the weekend prior. Shockingly, the normally unbeatable Panthers came up short again.
This Fall Family Weekend, just over 3600 fans packed into Alumni stadium and the surrounding hills for Middlebury football’s fourth game of the season. The Panthers entered the contest riding a two game win streak after a successful weekend on the road at Colby.
Men’s and women’s soccer took to the pitch this past Saturday on fields adorned with fall foliage. Family Weekend brought a lighthearted crowd: Families and dogs sprawled out on the grass to watch the Panthers take on Bowdoin.
Swing left off Vermont Route 22A just shy of Vergennes, zigzag between old homesteads and silos along dirt roads and soon you will be tumbling towards Lake Champlain. Drive a little further and you will find a brown boathouse adorned with a blue pennant: the home of the Middlebury College Sailing Club.
On Oct. 4, the Knoll hosted its third annual Mid-Autumn Harvest Festival, a celebration of Asian culture that attracted students and their families to the sunlit outdoor space. More than a dozen student organizations set up tables for the event, offering cultural activities, handmade crafts, food and performances.
Last week, MiddCORE announced its partnership with OpenAI for its J-Term program. The announcement raises questions about whether OpenAI and its generative artificial intelligence (AI) tool, ChatGPT, being invited in this way to our campus reflects an endorsement of such a controversial company and of the software itself. OpenAI has been subject to numerous copyright lawsuits, is known to cause severe environmental damage and its tools are banned in several classrooms on our campus.
Over the last few years, I’ve been slowly indoctrinated into the cult of physical media. There is no shortage of YouTube video essays made by 20-somethings living in Brooklyn that rave about the cultural, philosophical, aesthetic and moral value of dvds, records and film photography. And it’s hard not to agree with them. Get your first turntable and a few hand-me-down records from your dad and all of a sudden you're smoking cigarettes, wearing denim and writing articles like this.
As a super senior graduating this coming February, my college experience has spanned two distinct eras: before artificial intelligence (AI) and after AI. My introduction to AI came over Christmas break in 2022, when my tech-obsessed father showed me ChatGPT. My family crowded around my laptop, collectively testing its responses with wide-eyed curiosity. Back then, I felt ahead of the curve, part of a small group witnessing the dawn of something that might change the world. Three years later, as I prepare to graduate, I feel the opposite.
At the Addison County Relocalization Network (ACORN) Food Hub on Oct. 3, a crowd gathered to celebrate the signing of an agreement between Vermont Way Foods, a local farm, and Migrant Justice’s Milk with Dignity. There was cheese tasting, music, Mexican food, and a Vermont staple, Ben & Jerry’s, which signed a similar deal with the organization back in 2017.
In Vermont, about 40% of farms are owned by women — a truth not recognized by many, according to photographer JuanCarlos Gonzalez. Originally from Maunabo, Puerto Rico, Gonzalez spent two years photographing and chronicling the stories of 46 female farmers in Vermont, culminating in a photography collection that is being displayed at the Henry Sheldon Museum in Middlebury until January.
Ashley Wolff’s introduction to art came early. “I was always surrounded by art and drawing things,” she said. “I always knew I wanted to be an artist.”
In September, the Scott Center for Spiritual and Religious Life relocated from its temporary location at 46 South Street to its original space in the Hathaway House at 135 South Main Street. In 2021, the center was displaced to make room for student quarantine rooms due to the Covid-19 pandemic.
Approximately 50 students filled Twilight Auditorium last Thursday afternoon to hear economist Gary Hoover argue that America's promise of economic mobility may be more of a lottery than a ladder. The talk, part of the D.K. Smith Economic Lecture Series, featured Hoover promoting his book “Ladder or Lottery: Economic Promises and the Reality of Who Gets Ahead.” With his baritone voice carrying a hint of a southern accent, the Executive Director of the Murphy Institute at Tulane University held the audience's attention for an hour. College President Ian Baucom was among those in attendance.
A collage of the Middlebury community explored the escapable fact of life: mortality. At this year’s Cocoon, which debuted on Oct. 3, this year’s theme, “Before I die…”, invited speakers and audience members to reflect on life’s impermanence and the beauty that comes from embracing it.
Hepburn Hall buzzed with students, faculty and locals who crowded the stairways leading up to the Hepburn Zoo on opening night of “The Truth Remixed,” the 30th annual First Year show. The multi-genre comedy show, directed by Visiting Professor Ashley Nicole Baptiste, ran from Oct. 2-4.
In retrospect, it makes peculiar sense that, of all contemporary American directors, Paul Thomas Anderson would prove best-equipped to make the decade’s first great “Movie About Our Times.” The cokey, affecting mania of his early films (“Magnolia,” “Boogie Nights”); the strange, libidinal inexplicability of his later ones (“Phantom Thread,” “The Master”); and the unabashed, operatic clamor of his big one (“There Will Be Blood”) are united in his latest project, “One Battle After Another,” which meets the manic, inexplicable, clamorous American moment without indulging in its stupidity or endorsing its fatalism. Anderson has never set a movie in the present, but, in a way, it’s as if he’s been preparing to all along.